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Volume 3 -
Issue 1 - 2002
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Editorial
The Plurality of Creativity
Ian Brown
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01 Jan 2002
3(1)
Peer Reviewed Articles
‘Is it not possible to have a Poem made out of Theatre?’ - An assessment of the dramas and dramaturgy of Joan Ure
Jan McDonald
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01 Jan 2002
3(1)
Displacemeants – the Theatrical Art of John Byrne
Cairns Craig
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01 Jan 2002
3(1)
History, Ideology and Performance in Ian Brown’s Mary and A Great Reckonin’
Steve Cramer
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01 Jan 2002
3(1)
Handel’s Ariostan Heroines: With Particular Reference to Ginevra, Principessa di Scozia
David Kimbell
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01 Jan 2002
3(1)
Forum Articles
Plurality of Scottish Theatre
Mark Fisher
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01 Jan 2002
3(1)
Issue Archive
Volume 11:1 (Special Issue) - 2018 - TV in Scotland: Past, Present and Future - Volume 11
Volume 10 - 2017 - Language choice and ideologies of identity - Volume 10
Volume 9 - 2016 - Scottish Gaelic Drama - Volume 9
Volume 8:2 - 2015 - Experiments and Mixed Identities - Volume 8
Volume 8:1 - 2015 - Georgian Theatre in Scotland - Volume 8
Volume 7:2 - 2014 - Diverse Strands - Volume 7
Volume 7:1 - 2014 - New Developments in Scottish Cinema - Volume 7
Volume 6:2 - 2013 - Between the Local and the International: Fifty Years of N... - Volume 6
Volume 6:1 - 2013 - Telling Stories: Fifty Years of New Playwriting in Scotland - Volume 6
Volume 5:2 - 2012 - Alternative Identities - Volume 5
Volume 5:1 - 2012 - Artists and Institutions - Volume 5
Volume 4:2 - 2011 - Networks of Influence - Volume 4
Volume 4:1 - 2011 - Identity and Self-Identification - Volume 4
Volume 3 - Issue 2 - 2002
Volume 3 - Issue 1 - 2002
Volume 2 - Issue 2 - 2001
Volume 2 - Issue 1 - 2001
Volume 1 - Issue 2 - 2000
Volume 1 - Issue 1 - 2000
