International Journal of Scottish Theatre and Screen

Peer Reviewed Articles

Raking over the Asylum: the television drama of Donna Franceschild

Jonathan Murray

PDF (EN)

10 May 2018

11 :119-144

Peer Reviewed Articles

Gaelic Television: Building Bricks without Straw

Diane MacLean

PDF (EN)

10 May 2018

11 :6-28

Peer Reviewed Articles

‘Ah hink it's time for suttin blue n a BAILEYS!’ Subverting Scottish Male Identities in Gary: Tank Commander

Mary Irwin, Gabrielle Smith

PDF (EN)

10 May 2018

11 :51-66

Peer Reviewed Articles

“What if your future was the past?” Time Travel, Genealogy and Scottish Television Tourism in Outlander (2014-).

James Cateridge

PDF (EN)

10 May 2018

11 :67-83

Peer Reviewed Articles

‘Mad Dogs and Englishmen’: Hydrophobia, Europhobia and National Tensions in The Mad Death (BBC Scotland, 1983)

James Downs

PDF (EN)

10 May 2018

11 :84-102

Peer Reviewed Articles

Its Only Rock and Roll: John Byrne’s Scotland

Paul Elliott

PDF (EN)

10 May 2018

11 :103-118

Peer Reviewed Articles

STV – at 60

Alistair Scott

PDF (EN)

10 May 2018

11 :29-50

Editorial

Introduction: Scottish Television

Simon Brown

PDF (EN)

10 May 2018

11 :1-5

Peer Reviewed Articles

The Sense of (Un)Belonging: David Greig’s (Un?)Scottishness in Pyrenees and Damascus

Maria Elena Capitani

PDF (EN)

12 Dec 2017

10 :19-39

Peer Reviewed Articles

Versions of ideological language and community identity in recent Scots-language drama

Ian Brown

PDF (EN)

07 Dec 2017

10 :6-18

Peer Reviewed Articles

The Domestication of Otherness and the Politics of Language in Jo Clifford’s and Rona Munro’s Versions of Lorca’s The House of Bernarda Alba

Andras Beck

PDF (EN)

07 Dec 2017

10 :57-68

Peer Reviewed Articles

Staging Contemporary Identities: National Theatre of Scotland’s Glasgow Girls through the prism of Multimodal Discourse Analysis

Paula Sledzinska

PDF (EN)

07 Dec 2017

10 :69-91

Peer Reviewed Articles

A Trip ‘Doon the Watter’ during the Glasgow Fair: Working Class Leisure Patterns and the Role of the Scenic Film at the Turn of the Century

Samantha Wilson

PDF (EN)

07 Dec 2017

10 :92-110

Peer Reviewed Articles

Emerging adulthood and the Peter Pan Generation in Damion Dietz’s Neverland (2003)

Alfonso Munoz-Corcuera

PDF (EN)

07 Dec 2017

10 :111-125

Peer Reviewed Articles

The Language of Resistance and the Power of the Female Voice in Sue Glover’s Bondagers (1991)

Gioia Angeletti

PDF (EN)

07 Dec 2017

10 :40-56

Editorial

Editorial: Language choice and ideologies of identity

Ian Brown

PDF (EN)

07 Dec 2017

10 :1-5

Forum Articles

New Scottish playwriting, old myths and real future needs.

Ksenija Horvat

PDF (EN)

07 Dec 2017

10 :126-133

Peer Reviewed Articles

Theatricality, bilingualism and metatheatricality in Archibald Maclaren’s

Ian Brown

PDF (EN)

01 Dec 2016

9 :13-23

Peer Reviewed Articles

The Historical Plays of Donald Sinclair

Aonghas MacLeòid

PDF (EN)

01 Dec 2016

9 :24-38

Peer Reviewed Articles

Identity in Gaelic Drama 1900-1949

Susan Ross

PDF (EN)

01 Dec 2016

9 :39-60

Peer Reviewed Articles

Translated Drama in Gaelic in Scotland to c.1950

Sim Innes

PDF (EN)

01 Dec 2016

9 :61-88

Peer Reviewed Articles

The closed room: expressions of existentialism and absurdity in Gaelic drama

Michelle Macleod

PDF (EN)

01 Dec 2016

9 :89-112

Peer Reviewed Articles

Pulling down the Pulpit to make way for the Stage: An Exploration of Anna Chaimbeul and Roghainn Nan Daoine

Emma Dymock

PDF (EN)

01 Dec 2016

9 :113-134

Editorial

Editorial: On the study and promotion of drama in Scottish Gaelic

Sim Innes, Michelle Macleod

PDF (EN)

01 Dec 2016

9 :1-12

Forum Articles

Playwright and Associate Artist at Theatre Gu Leòr, Catriona Lexy Campbell, in conversation with Muireann Kelly, Artistic Director at Theatre Gu Leòr.

Catriona Lexy Campbell

PDF (EN)

01 Dec 2016

9 :135-147

Articles

Raking over the Asylum: the television drama of Donna Franceschild

Gaelic Television: Building Bricks without Straw

‘Ah hink it's time for suttin blue n a BAILEYS!’ Subverting Scottish Male Identities in Gary: Tank Commander

“What if your future was the past?” Time Travel, Genealogy and Scottish Television Tourism in Outlander (2014-).

‘Mad Dogs and Englishmen’: Hydrophobia, Europhobia and National Tensions in The Mad Death (BBC Scotland, 1983)

Its Only Rock and Roll: John Byrne’s Scotland

STV – at 60

Introduction: Scottish Television

The Sense of (Un)Belonging: David Greig’s (Un?)Scottishness in Pyrenees and Damascus

Versions of ideological language and community identity in recent Scots-language drama

The Domestication of Otherness and the Politics of Language in Jo Clifford’s and Rona Munro’s Versions of Lorca’s The House of Bernarda Alba

Staging Contemporary Identities: National Theatre of Scotland’s Glasgow Girls through the prism of Multimodal Discourse Analysis

A Trip ‘Doon the Watter’ during the Glasgow Fair: Working Class Leisure Patterns and the Role of the Scenic Film at the Turn of the Century

Emerging adulthood and the Peter Pan Generation in Damion Dietz’s Neverland (2003)

The Language of Resistance and the Power of the Female Voice in Sue Glover’s Bondagers (1991)

Editorial: Language choice and ideologies of identity

New Scottish playwriting, old myths and real future needs.

Theatricality, bilingualism and metatheatricality in Archibald Maclaren’s

The Historical Plays of Donald Sinclair

Identity in Gaelic Drama 1900-1949

Translated Drama in Gaelic in Scotland to c.1950

The closed room: expressions of existentialism and absurdity in Gaelic drama

Pulling down the Pulpit to make way for the Stage: An Exploration of Anna Chaimbeul and Roghainn Nan Daoine

Editorial: On the study and promotion of drama in Scottish Gaelic

Playwright and Associate Artist at Theatre Gu Leòr, Catriona Lexy Campbell, in conversation with Muireann Kelly, Artistic Director at Theatre Gu Leòr.

121 Articles.