Articles

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  Peer Reviewed Articles

  ‘Only of Scottish Interest’: 7:84’s Devolution Trilogy

  Deana   Nichols

  • PDF (EN)

  01 Jun 2013

  6 : 42 - 64
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  Peer Reviewed Articles

  ‘Who does the talking that matters?’ : Language, Politics, Identity in Scottish Vernacular Theatre 1970-2000

  Colette   Osgun

  • PDF (EN)

  01 Jun 2013

  6 : 65 - 86
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  Editorial

  Between the Local and the International: Fifty Years of New Playwriting in Scotland

  KSM   McKean

  • PDF (EN)

  01 Jun 2013

  6 : 1 - 9
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  Forum Articles

  Scottish Theatre Archives at Edinburgh University Library

  Paul   Barnaby

  • PDF (EN)

  01 Jun 2013

  6 : 87 - 99
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  Peer Reviewed Articles

  Documentary, 'makey-up' storytelling and new modes of writing for the Scottish stage

  Tom   Maguire

  • PDF (EN)

  01 Jan 2013

  6 : 16 - 36
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  Peer Reviewed Articles

  Last Girl Standing: on Zinnie Harris's War Plays

  
  

  Julia   Boll

  • PDF (EN)

  01 Jan 2013

  6 : 37 - 53
• 
  Peer Reviewed Articles

  Psychological Liminality in Anthony Neilson’s The Wonderful World of Dissocia.

  Gary   Cassidy

  • PDF (EN)

  01 Jan 2013

  6 : 54 - 81
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  Peer Reviewed Articles

  Giving Voice to the Global Citizen in The Speculator by David Greig

  Pamela   McQueen

  • PDF (EN)

  01 Jan 2013

  6 : 82 - 100
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  Peer Reviewed Articles

  No Wrang – Jist Different: Some resemblances between Scottish Drama of the 1970s and the Australian New Wave

  Steve   Cramer

  • PDF (EN)

  01 Jan 2013

  6 : 101 - 130
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  Editorial

  Telling Stories: Fifty Years of New Playwriting in Scotland

  K   McKean

  • PDF (EN)

  01 Jan 2013

  6 : 1 - 15
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  Forum Articles

  Playing War: Encountering Soldiers and Navigating Ethical Responsibilities in the Creation of Black Watch

  Sarah   Beck

  • PDF (EN)

  01 Jan 2013

  6 : 131 - 153
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  Peer Reviewed Articles

  David Lyndsay and George Buchanan: contrasts in reforming theatre

  Sarah   Carpenter

  • PDF (EN)

  01 Jun 2012

  5 : 4 - 26
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  Peer Reviewed Articles

  The use of some Gaelic songs and poetry in The Cheviot, the Stag and the Black, Black Oil

  Ian   Brown ,  Sim   Innes

  • PDF (EN)

  01 Jun 2012

  5 : 27 - 55
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  Peer Reviewed Articles

  Combining the Epic with the Everyday: David Greig’s Dunsinane

  Verónica   Rodríguez ,  Dilek   Inan

  • PDF (EN)

  01 Jun 2012

  5 : 56 - 78
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  Peer Reviewed Articles

  Up the Close: The Close Theatre at the Citizens’, Glasgow

  John   Riddell

  • PDF (EN)

  01 Jun 2012

  5 : 79 - 116
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  Editorial

  Editorial

  
  

  Ian   Brown ,  Ksenija   Horvat

  • PDF (EN)

  01 Jun 2012

  5 : 1 - 3
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  Forum Articles

  Translating Texts: Transforming Potential – New translation workshops to reach new audiences

  Alan   McKendrick ,  Kevin   Rittberger ,  Catherine   Grosvenor ,  Grzegorz   Stosz

  • PDF (EN)

  01 Jun 2012

  5 : 117 - 132
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  Peer Reviewed Articles

  The Art of Business Innovation: The Citizens' Theatre under the Directorship of Giles Havergal

  Anne   Bonnar

  • PDF (EN)

  01 Jan 2012

  5 : 3-18
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  Peer Reviewed Articles

  ‘two kingdoms…compassed with one Sea’: Reconstructing Kingdoms and Reclaiming Histories in David Greig’s Dunsinane

  Victoria   Price

  • PDF (EN)

  01 Jan 2012

  5 : 19-32
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  Peer Reviewed Articles

  Completion and distribution of Scottish Screen-funded films

  Linda   Hutcheson

  • PDF (EN)

  01 Jan 2012

  5 : 33-47
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  Editorial

  Artists and Institutions

  
  

  Ian   Brown ,  Ksenija   Horvat

  • PDF (EN)

  01 Jan 2012

  5 : 1-2
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  Forum Articles

  A Stage of One's Own: The Artistic Devolution of Contemporary Scottish Theatre

  András   Beck

  • PDF (EN)

  01 Jan 2012

  5 : 48-54
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  Peer Reviewed Articles

  The media and literature in contemporary Scotland: challenges and opportunities

  David   Hutchison

  • PDF (EN)

  01 Jun 2011

  4 : 19-34
• 
  Peer Reviewed Articles

  Rhizome and fructification: Matthew Zajac’s The Tailor of Inverness (2008)

  Danièle   Berton

  • PDF (EN)

  01 Jun 2011

  4 : 3-18
• 
  Peer Reviewed Articles

  Playwrights’ workshops of the Scottish Society of Playwrights, the Eugene O’Neill Theater Center, and their long term impact in the UK

  Ian   Brown

  • PDF (EN)

  01 Jun 2011

  4 : 35-50