Articles

• 
  Editorial

  Editorial

  
  

  • PDF (EN)

  01 Jun 2011

  4 : 1-2
• 
  Forum Articles

  On the Art of ‘Making Movies Happen’: An Interview with Andrea Calderwood

  • PDF (EN)

  01 Jun 2011

  4 : 51-65
• 
  Peer Reviewed Articles

  Anywhere but Scotland?” Transnationalism and New Scottish Cinema

  Simon Brown

  • PDF (EN)

  01 Jan 2011

  4
• 
  Peer Reviewed Articles

  Linguistic motivation, dramatic language and Glasgow-inflected Scots in Edwin Morgan's version of Cyrano de Bergerac (1992)

  Bill Findlay

  • PDF (EN)

  01 Jan 2011

  4
• 
  Peer Reviewed Articles

  Ewan MacColl, “the brilliant young Scots dramatist”: Regional myth-making and Theatre Workshop

  Claire Warden

  • PDF (EN)

  01 Jan 2011

  4
• 
  Peer Reviewed Articles

  “Listen I will tell the story to you / As I have been told it” : Memory and identity in the plays of Nicola McCartney

  Kathy McKean

  • PDF (EN)

  01 Jan 2011

  4
• 
  Editorial

  Editorial

  
  

  Ian Brown, Ksenija Horvat

  • PDF (EN)

  01 Jan 2011

  4
• 
  Forum Articles

  Cultural centrality and dominance: the creative writer's view - conversations between Scottish poet/playrights and Ian Brown

  Ian Brown

  • PDF (EN)

  01 Jan 2011

  4
• 
  Book Reviews

  David Martin-Jones, Scotland: Global Cinema, Genres Modes and Identities

  Richard Butt

  • PDF (EN)

  01 Jan 2011

  4
• 
  Peer Reviewed Articles

  Three One-Woman Epics: The Political Performer

  
  

  Olga Taxidou

  • PDF (EN)

  01 Jul 2002

  3 ( 2 )
• 
  Peer Reviewed Articles

  Blood Red Roses: John McGrath and Lukacsian Realism

  
  

  Stephen Lacey

  • PDF (EN)
  • XML (EN)

  01 Jul 2002

  3 ( 2 )
• 
  Peer Reviewed Articles

  John McGrath and the Dialogues of Television Studies

  
  

  Jonathan Bignell

  • PDF (EN)

  01 Jul 2002

  3 ( 2 )
• 
  Peer Reviewed Articles

  The Cheviot, the Stag and the Black, Black Oil: Political Theatre and the Case Against Television Naturalism

  Robin Nelson

  • PDF (EN)

  01 Jul 2002

  3 ( 2 )
• 
  Peer Reviewed Articles

  Class, Gender and the Multinationals: A Year in the Life and Work of 7:84 England

  Nadine Holdsworth

  • PDF (EN)

  01 Jul 2002

  3 ( 2 )
• 
  Editorial

  The Variety of John McGrath

  
  

  Ian Brown

  • PDF (EN)

  01 Jul 2002

  3 ( 2 )
• 
  Forum Articles

  Extracts from John McGrath in Conversation with Colin Mortimer

  Colin Mortimer

  • PDF (EN)

  01 Jul 2002

  3 ( 2 )
• 
  Peer Reviewed Articles

  Border Warranty: John McGrath and Scotland

  
  

  Randall Stevenson

  • PDF (EN)

  01 Jun 2002

  3 ( 2 )
• 
  Peer Reviewed Articles

  ‘Is it not possible to have a Poem made out of Theatre?’ - An assessment of the dramas and dramaturgy of Joan Ure

  Jan McDonald

  • PDF (EN)

  01 Jan 2002

  3 ( 1 )
• 
  Peer Reviewed Articles

  Displacemeants – the Theatrical Art of John Byrne

  
  

  Cairns Craig

  • PDF (EN)

  01 Jan 2002

  3 ( 1 )
• 
  Peer Reviewed Articles

  History, Ideology and Performance in Ian Brown’s Mary and A Great Reckonin’

  Steve Cramer

  • PDF (EN)

  01 Jan 2002

  3 ( 1 )
• 
  Peer Reviewed Articles

  Handel’s Ariostan Heroines: With Particular Reference to Ginevra, Principessa di Scozia

  David Kimbell

  • PDF (EN)

  01 Jan 2002

  3 ( 1 )
• 
  Editorial

  The Plurality of Creativity

  
  

  Ian Brown

  • PDF (EN)

  01 Jan 2002

  3 ( 1 )
• 
  Forum Articles

  Plurality of Scottish Theatre

  
  

  Mark Fisher

  • PDF (EN)

  01 Jan 2002

  3 ( 1 )
• 
  Peer Reviewed Articles

  Home International: the Compass of Scottish Theatre Criticism

  Randall Stevenson

  01 Jul 2001

  2 ( 2 )
• 
  Peer Reviewed Articles

  Scottish Guising: Medieval And Modern Theatre Games

  
  

  01 Jul 2001

  2 ( 2 )