Articles

• 
  Peer Reviewed Articles

  Scotland as Screen: Vexed Projections in I Know Where I’m Going!

  Wendy Xin

  • PDF (EN)

  01 Dec 2015

  8 : 2-25
• 
  Peer Reviewed Articles

  Performing Cross-Cultural Relations, Identity and Conflict in Contemporary Scottish Theatre: Expatriate Italian Communities in Marcella Evaristi’s Commedia and Ann Marie di Mambro’s Tally’s Blood.

  Gioia Angeletti

  • PDF (EN)

  01 Dec 2015

  8 : 26-47
• 
  Peer Reviewed Articles

  ‘People know what they want to see’: Space and Reception in Rob Drummond’s Quiz Show (2013)

  Jeanne Schaaf

  • PDF (EN)

  01 Dec 2015

  8 : 48-72
• 
  Editorial

  Editorial

  
  

  Ksenija Horvat, Ian Brown

  • PDF (EN)

  01 Dec 2015

  8 : 1
• 
  Forum Articles

  Irony and the Construction of Scottish Memory and Identity in Contemporary Plays

  Daniele Berton-Charriere

  • PDF (EN)

  01 Dec 2015

  8 : 73-90
• 
  Peer Reviewed Articles

  Eighteenth-Century Scottish Drama and the Contestation of National Identities

  Ian Brown

  • PDF (EN)

  01 Jun 2015

  8 : 2-26
• 
  Peer Reviewed Articles

  The Scottish theatrical landscape leading into the emergence of the National Drama

  Barbara Bell

  • PDF (EN)

  01 Jun 2015

  8 : 27-53
• 
  Peer Reviewed Articles

  Leading Lady of the Patent House: Harriet Siddons in Edinburgh

  Thomas Crochunis

  • PDF (EN)

  01 Jun 2015

  8 : 54-68
• 
  Editorial

  Editorial

  
  

  Ksenija Horvat, Ian Brown

  • PDF (EN)

  01 Jun 2015

  8 : 1
• 
  Book Reviews

  Ian Brown, editor, The Edinburgh Companion to Scottish Drama (Edinburgh: Edinburgh University Press, 2011); Trish Reid, Theatre & Scotland (Houndmills: Palgrave Macmillan, 2013)

  Alan Riach

  • PDF (EN)

  01 Jun 2015

  8 : 69-87
• 
  Peer Reviewed Articles

  Acknowledged Legislators: ‘Lived experience’ in Scottish Poetry Films

  Richie McCaffery, Stefanie Van de Peer

  • PDF (EN)

  01 Jun 2014

  7 : 4-30
• 
  Peer Reviewed Articles

  Irvine Welsh and the Adaptation Industry: Filth, a case study

  Robert Munro

  • PDF (EN)

  01 Jun 2014

  7 : 31-56
• 
  Peer Reviewed Articles

  Patriotism and the Spirit of Macbeth's Ambition in Dunsinane

  Gül Kurtuluş

  • PDF (EN)

  01 Jun 2014

  7 : 57-85
• 
  Peer Reviewed Articles

  Transcontinental Traverse: David Harrower’s Knives in Hens and Other Contemporary Scottish Plays in the Hungarian Language

  András Beck

  • PDF (EN)

  01 Jun 2014

  7 : 86-98
• 
  Editorial

  Editorial

  
  

  Ian Brown, Ksenija Horvat

  • PDF (EN)

  01 Jun 2014

  7 : 1-3
• 
  Book Reviews

  Jonathan Murray, Discomfort and Joy: The Cinema of Bill Forsyth. Oxford: Peter Lang, 2011, 260 pp.

  Brian Hoyle

  • PDF (EN)

  01 Jun 2014

  7 : 99-102
• 
  Book Reviews

  Jack, R.D.S. Myths and the Mythmaker: A Literary Account of J.M. Barrie’s Formative Years; Muñoz Corcuera, Alfonso & Elis T. Di Biase (ed) Barrie, Hook and Peter Pan: Studies in Contemporary Myth; Bold, Valentina & Andrew Nash (ed) Gateway to the Modern:

  David Clark

  • PDF (EN)

  01 Jun 2014

  7 : 103-111
• 
  Peer Reviewed Articles

  Stimulating Production Activity in Scotland: Advance Party and the Rule Doctrine

  Linda Hutcheson

  • PDF (EN)

  01 Jan 2014

  7 : 10-27
• 
  Peer Reviewed Articles

  The Myth of Scotland as Nowhere in Particular

  
  

  John Marmysz

  • PDF (EN)

  01 Jan 2014

  7 : 28-44
• 
  Peer Reviewed Articles

  ‘On the Side of the Angels?’: Ken Loach, The Angels’ Share, and the pursuit of new forms of politically-engaged cinema

  Jamie Chambers

  • PDF (EN)

  01 Jan 2014

  7 : 45-69
• 
  Peer Reviewed Articles

  The Wick Society’s Intervention into Industrial Heritage: Remaking Local Films for Future Historians

  Ryan Shand

  • PDF (EN)

  01 Jan 2014

  7 : 70-97
• 
  Editorial

  New Developments in Scottish Cinema: Introduction

  
  

  Simon Brown

  • PDF (EN)

  01 Jan 2014

  7 : 1-9
• 
  Forum Articles

  Scottish Films on Scottish Screens: Local Voices and Stories. An Interview with Alice Black, Head of Cinema at Dundee Contemporary Arts.

  Simon Brown, Alice Black

  • PDF (EN)

  01 Jan 2014

  7 : 98-108
• 
  Peer Reviewed Articles

  The Theatre of John McGrath: between Theatre and Theory, between the Local and the International

  Olga Taxidou

  • PDF (EN)

  01 Jun 2013

  6 : 10 - 21
• 
  Peer Reviewed Articles

  Something In It for the Underdog: The Playwriting of Joan Ure

  • PDF (EN)

  01 Jun 2013

  6 : 22 - 41